Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Overlapping concepts of LTNs and ‘modal filtering’ – a staple of postwar planning – creates challenge in how to categorise schemes
While the concept of the low-traffic neighbourhood, or LTN, first entered the UK political mainstream during the Covid pandemic, the basic concept – filtering streets for different types of traffic – is older. Much, much older, in fact.
Some ancient Roman cities, including Pompeii, used stone posts set in the road to stop carriages reaching the central plaza, while allowing unimpeded access for pedestrians and less cumbersome forms of transport.
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