Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
The famous Austin festival picked the Harbour City for its first foray overseas, bringing an eclectic mix of AI, celebrities and cutting edge ideas
A simultaneously familiar and slightly terrifying robot dog wanders through the audience of a session at the Sydney edition of South by South West. On stage, the panellists opine about a future increasingly defined by artificial intelligence and automation.
“It’s going to get much, much more significant,” says Ed Santow, the former human rights commissioner and current director of policy and governance at the UTS Human Technology Institute. “And for many people that will be a good thing, [but] for a lot of people it’ll be really, really hard.”
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