Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Manager is obsessed with fighting on all fronts but this may be the moment to start prioritising competitions
When the red fuel light on the dashboard starts flashing drivers know they are on borrowed time. It all depends on a car’s make and model but there will be 30, 40, possibly even 50 miles left in the tank. Eddie Howe’s problem is that, unlike a motorist, he cannot steer his increasingly drained squad towards the sanctuary of a nearby filling station.
“We’re missing a big number of players,” says Newcastle’s manager. “You can keep going for a while, but the longer it lasts, the harder it gets. We don’t have options to change players.”
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