Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Sebastien Lai hasn’t spoken to his father in three years, but says he supports the stance the veteran pro-democracy activist has taken
Sebastien Lai is sitting in a downtown coffee shop, on a blustery day in Taipei. The 28-year-old was only recently married, but is spending much of his time flying around the world advocating for his father’s freedom.
Days earlier, his father, Jimmy Lai, the prominent media mogul and democracy activist, went on trial in Hong Kong. Lai senior is accused of conspiring to collude with foreign forces under the 2020 national security law, and conspiring to publish seditious material, under a colonial-era sedition law. He faces up to life in prison for the more serious charges.
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