Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
- Athletes becoming more strict with precautions
- Team GB’s Whittle: ‘Hand sanitising, wearing masks’
Further evidence of concern about the impact of Covid on swimming elements of the Olympics appeared on Tuesday night, when coaching teams of several nations – including Team GB – donned masks in the stand at La Défense Arena. There is no mandatory requirement to withdraw from the Games in cases of Covid, leaving nations to implement their own policies with athletes and staff.
Adam Peaty confirmed he had tested positive after finishing in the silver‑medal position of the 100m breaststroke on Sunday evening. Peaty hopes to recover to take on relay roles at the weekend. Matters quickly extended beyond Team GB.
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