Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Peter Doig says ‘crazy prices’ on the secondary market must be reined in to protect young artists
Peter Doig became the most expensive living painter in Europe in 2007, when White Canoe, his atmospheric painting of a a moonlit lagoon, sold for £5.7m.
The Scot then saw his auction record broken in 2017 and in 2021 respectively, when Rosedale, his depiction of a house in a snow storm, and Swamped, another enigmatic painting of a canoe, sold for the eye-watering prices of £21m and nearly £30m respectively.
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