Veterans recall chaos and confusion as the attacks unfolded – followed by a ‘war on terror’ that left agency with a tarnished reputation A generation of spies had lost an enemy but not yet found a role. Then came 9/11. A decade after the dissolution of the Soviet Union, al-Qaida’s devastating attacks on New York and Washington on 11 September 2001 announced to the Central Intelligence Agency (CIA) that the long era of battling communism, for which it had been founded, was officially at an end. Continue reading... from The Guardian https://ift.tt/zniuJ7j via IFTTT
Olivier theatre, London
The drama is underpowered until the end but what Lyndsey Turner’s production lacks in feeling it makes up in style
Placard-holding protesters bomb an elegant stage with museum-grade artefacts displayed on plinths. They could be anti-war marchers weaving around city monuments, an underclass demonstrating against government austerity, or a rioting mob stirred up by rabble-rousing populists.
Under the direction of Lyndsey Turner, this evocation of Rome, divided by wealth, heritage and war, bears immediate resonances with the present, with its gulf between the angry masses and the city’s impervious elite class.
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