Musical stars and retired politicians from less polarised era seeming antidote to cage fights on White House lawn The Barack Obama presidential center opened in Chicago on Thursday after more than a decade in the making amid a musical fanfare and paeans to democratic principles that evoked a previous age, all while delivering an implied rebuke to Donald Trump . Featuring appearances by a cast of musical stars and retired politicians from a less polarised era, it was a seemingly perfect antidote to the crass spectacle of cage fights on the White House lawn. Continue reading... from The Guardian https://ift.tt/9Gs1thg via IFTTT
Gielgud theatre, London
Rylance is entertainingly Chaplinesque as a dissolute husband in Seán O’Casey’s 1924 tragicomedy, but Succession’s J Smith-Cameron is its heart and soul as the long-suffering wife
A volley of gunshots at the start signifies the violent backdrop to Seán O’Casey’s 1924 tragicomedy, which takes place during the Irish civil war of 1922-23. But it is a distant sound, and musical hall-style comedy and drunken shenanigans take prominence in this production.
The second in O’Casey’s Dublin trilogy, Juno and the Paycock dramatises tenement life for the Boyles, whose breadwinner, Jack (Mark Rylance), prefers drink to work while his wife, Juno (J Smith-Cameron), is left to earn their keep.
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