Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Now is the time to unplug and reset. Next year we enter a more dangerous world – but for now I need the silence of nature | Paul Daley
The return of Trump demands extreme watchfulness. But effective vigilance also requires energy and strength, mental and emotional recharge and balance
A long walk in the mountains last weekend brought sudden perspective to just how heavily the shoutiness and anger was weighing.
Suddenly there was only birdsong, the rustling tree canopies, the gentle burbling of the Snowy River and the wind whispering through the trunks of ancient ghost gums. This was anything but a quiet quietness. But it was the sound of a serenity that only nature can gift – a noise of extreme unplugged-ness if you like.
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