Alongside rareties such as Birtwistle’s Earth Dances and Reich’s The Desert Music there’s some intriguing and ambitious new music coming to this year’s festival Even if it doesn’t really seem like one, this year’s Proms marks the beginning of a new era for what styles itself as the world’s biggest classical music festival. Though Sam Jackson took over as controller of BBC Radio 3 and director of the Proms two years ago, the 2023 and 2024 programmes were essentially planned under the aegis of his predecessor as Proms supremo David Pickard. So the coming season is the first for which Jackson has been responsible, though he is keen to emphasise that organising a festival on the scale of the Proms is a team effort, and that though his name is the one that appears on the introduction to the printed guide, he is just one among several who have put the season together – a season of 72 concerts in the Royal Albert Hall, together with weekend residencies and concerts in Belfast, Bradford, Bri...
Theatre Royal Bath
While this 1960 play has been overtaken by faster-moving tales of Tudor chicanery, Martin Shaw is compelling as Thomas More
Among the abounding villains and backstabbers of the Tudor age stands Thomas More, a good man who dared to take a silent stand against King Henry VIII. But Robert Bolt’s play shows that being good could be just as dangerous for one’s head.
This 1960 drama, which takes us through More’s last years, was immensely successful in its time, transferring to Broadway and adapted for film with Paul Scofield. Jonathan Church’s new touring production is smart and handsome but feels like an old-fashioned history play, creaky in parts though still an ultimately moving portrait of quiet heroism.
Continue reading...from The Guardian https://ift.tt/gUiFzs2
via IFTTT
Comments
Post a Comment