Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Actor says she is troubled by ‘the amount of brutal violence there is towards women’
The veteran actor Juliet Stevenson has said she is “haunted” by the death of Sarah Everard ahead of the release of her new BBC crime thriller, Wolf.
Based on the thriller novel by Mo Hayder, Wolf stars Stevenson as Matilda Anchor-Ferrers, an “intelligent yet neurotic housewife” whose comfortable life on the Welsh estate she shares with her husband and daughter is turned upside down when two men appear at their house.
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