Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Changing Faces writes to broadcasters ahead of Halloween for I Am Not Your Villain campaign
A UK charity representing those with a disfigurement or visible difference has written to broadcasters including Netflix, Disney+ and the BBC asking that Halloween favourites such as A Nightmare on Elm Street run with warnings that the films contain negative stereotypes.
Changing Faces has sent the letter as part of its I Am Not Your Villain campaign, which aims to eradicate the common trope of feared characters being portrayed as people with a scar, mark or condition that makes them look different.
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