Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Meaningful debate over climate emergency lacking ahead of October vote amid fresh warnings of more extreme weather events
In the lead up to New Zealand’s 2017 election, Jacinda Ardern, the then soon-to-be prime minister, called the climate emergency her generation’s “nuclear-free moment” – a reference to the bold stance the country took against nuclear power.
Her comments signalled renewed urgency in shaping New Zealand’s response to combatting one of the globe’s greatest existential threats. But six years on, with the country’s general election just days away, the climate emergency has been sidelined against discussions of crime, “co-governance” and the cost of living.
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