Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Play based on the beloved 1987 comedy will open at Birmingham Rep next year directed by Sean Foley
It is one of British cinema’s most quotable comedies: a tale of destitute London actors “drifting into the arena of the unwell” who go on holiday by mistake to the Lake District. Now, the inebriated world of Withnail and I – complete with the notorious super-sized joint called the Camberwell carrot – is destined for the stage, adapted by the much-loved 1987 film’s writer-director, Bruce Robinson.
The play will have its world premiere at the Birmingham Rep in May, directed by Sean Foley, who described Withnail and I as “part of the furniture of British comedy” and said “if it wasn’t so funny, it would be tragic”.
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