Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Final results from last month’s election confirm the right-wing National Party will need to partner with the ACT Party and NZ First to form government
In the long run, New Zealand’s incoming prime minister should still be pretty pleased to have got to where he is now.
Just three years ago Christopher Luxon was entering parliament for the first time as a member of a chaotic and failing party. He now leads that party – National – and will soon ascend the long driveway to Government House to be sworn in as prime minister. Not a bad turnaround.
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