Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
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Son Heung-min described Tottenham’s 4-2 Premier League defeat at Brighton on Thursday night as a “big wake-up call” after a performance that was “nowhere near the level” required.
Spurs lacked sharpness – a consequence, surely, of being stretched by injuries – and were ripped apart by a rampant Brighton who took a 4-0 lead, the outstanding João Pedro scoring two of them from the penalty spot. Son’s team rallied in the last 10 minutes, scoring twice, and they pushed hard during nine additional minutes when they almost scored a third, advertising the wildest of comebacks.
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