Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
- Fifa and its wholly owned subsidiary exempt from tax
- Players in Australia had to pay 32.5% of their match fees
Fifa has been heavily criticised for negotiating an eight‑and‑a‑half‑year tax exemption for the 2023 Women’s World Cup when the players in Australia ended up paying 32.5% of their match fee income to the country’s tax office (ATO).
Football’s world governing body is exempt from paying tax on any income in or from Australia from 1 July 2020 to 31 December 2028 but, as the Guardian revealed last month, players from several countries were forced to pay almost a third of their match fee income to the ATO. This was in stark contrast to the co-hosts New Zealand, whose Inland Revenue Department exempted Fifa and the players from all taxes.
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