Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating. “Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.” Continue reading... from The Guardian https://ift.tt/jXEyKTC via IFTTT
‘I welcome our digital minions’: the Silicon Valley insider warning about algorithms – while embracing them
Marek Kowalkiewicz has made a career of harnessing new technology. But on the question of if algorithms have agency, he realised he was wrong
Houses hide behind patches of subtropical rainforest in Brisbane’s western outskirts, horses graze paddocks and road signs warn of deer and kangaroos.
Nestled between a bend in the river and the foothills of the D’Aguilar Range, the suburb of Anstead may appear unsuitable habitat for a Polish-born business professor who believes that we must embrace the age of artificial intelligence.
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