Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating. “Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.” Continue reading... from The Guardian https://ift.tt/jXEyKTC via IFTTT
From wanting to honour a new love with the same public commitment, to avoiding visa and estate issues, readers tell us why they chose to say ‘I do’, again
Once upon a time, a misstep down the aisle was a life sentence. But since no-fault divorce laws were introduced in Australia nearly 50 years ago, couples have been free to end ill-fated unions (after a separation of 12 months and one day) then toll those wedding bells again.
While it’s no longer uncommon to avoid the stress and expense of marriage altogether, for many the formality and fanfare remains seductive – even if it didn’t work out the first time.
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