Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating. “Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.” Continue reading... from The Guardian https://ift.tt/jXEyKTC via IFTTT
The chilling atmosphere of pickets and protests at clinics has given way to a new ‘gold standard’ of care
The family planning advisers at Shaftesbury Square still remember the days of siege when anti-abortion protesters staked out the front and rear entrance of their office in central Belfast.
Some pickets would splash holy water on the doors and daub salt crosses on the pavement while others would thrust leaflets with pictures of babies and foetuses at woman entering or leaving the building, and sometimes follow them.
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