Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
As one of the largest ‘training’ datasets has been found to contain child sexual abuse material, can bans on creating such imagery be feasible?
Child abusers are creating AI-generated “deepfakes” of their targets in order to blackmail them into filming their own abuse, beginning a cycle of sextortion that can last for years.
Creating simulated child abuse imagery is illegal in the UK, and Labour and the Conservatives have aligned on the desire to ban all explicit AI-generated images of real people.
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