Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Glyn Smith is first addition since 1920 to portraits commemorating staff at Erddig in Wrexham
A rare collection of portraits of domestic staff at a Welsh country house that spans more than 100 years has gained a modern addition with a striking photograph of its recently retired head gardener.
The collection at Erddig in Wrexham highlights a new appreciation of the back-breaking work carried out by servants and staff in the upstairs-downstairs world of country houses and stately homes. Kensington Palace recently hosted an exhibition of portraits of overlooked, and often overworked, back-room staff in royal households.
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