Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
UK government’s apologies so far have had a distinct lack of candour about what it is apologising for
Surviving victims and relatives of those who died as a result of receiving infected blood and blood products from the NHS in the 1970s and 80s will gather in a few weeks at the Methodist Central Hall in Westminster.
After six years of taking evidence, Sir Brian Langstaff’s public inquiry will finally unveil its report there on 20 May.
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