Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
‘Digital pandemic’, ‘havoc’ and ‘meltdown’ were some of the most common phrases in UK headlines after botched CrowdStrike software update
Saturday’s headlines are dominated by the fallout from an IT failure that grounded planes, took TV channels off air and played havoc with health services, banking and retail businesses around the world.
The outage was the result of a botched software upgrade by US firm CrowdStrike that hit Microsoft’s Windows operating systems and left workers with a “blue screen of death” as their computers failed to start.
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