Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Writer, who died in his Los Angeles home, also worked without credit on The Godfather and Bonnie and Clyde
Robert Towne, the Oscar-winning screenwriter of Chinatown, considered one of the greatest screenplays of all time, has died at age 89.
Towne, the screenwriter also nominated for his films Shampoo and The Last Detail, died on Monday among family members at his Los Angeles home, said his publicist, who did not disclose a cause of death.
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