Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
- Argentina chanted racist song about French players
- Tense buildup to men’s football quarter-final in Paris
The Olympic men’s football quarter-final between France and Argentina has been described as personal to every French citizen by the striker Jean-Philippe Mateta after uproar over footage of Argentina players singing racist chants.
There have been tensions between the nations since the circulation of a video after last month’s Copa América final, in which Argentina’s squad are seen singing about French players with African heritage.
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