Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
- Cuban defeats Yasmani Acosta Fernández 6-0
- López picks up crying coach in celebration
At the end, alone in the wrestling ring with his name ringing out from the stand, Mijaín López untied his boots and raised them to his lips. He placed them in the centre of the mat and walked away from his sixth Games as arguably the greatest Olympian of all time.
In winning the Greco-Roman wrestling title for an unprecedented fifth consecutive time just two weeks before his 42nd birthday, López has done what no other Olympian has achieved – and on a balmy night at the Champ de Mars Arena in Paris he made it look easy.
Continue reading...from The Guardian https://ift.tt/9zT6S3m
via IFTTT
Comments
Post a Comment