Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
- Refugee team lifter sets PBs in men’s 102kg event
- Bristol-based athlete aims to represent Britain in 2028
It is not the most conventional route to the Olympics, but Ramiro Mora Romero’s background as an acrobat at a Blackpool circus added a little sparkle to his first Olympic outing at the South Paris Arena.
Mora Romero, a Cuban refugee living in Bristol, lifted personal bests in both the snatch and the clean and jerk in the men’s 102kg category. He promised that, if given residency in his adopted country, he would get a medal for Britain at the 2028 Games in Los Angeles.
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