Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Despite a febrile Bercy Arena, the USA’s new Dream Team always looked in control in a 98-87 win against the hosts
With 16 seconds left on the clock at the Bercy Arena, Steph Curry took the ball in centre court, 30 feet from the rim, and already falling backwards, the sky blocked out by two French defenders in front of him, unable to see the basket, milliseconds ticking down before he lost control, before gravity took hold, the day closing in.
Somehow from that blind position he still released the ball in a hard flat perfect arc, the roar of the crowd telling Curry he had indeed hit the invisible target beyond the flailing hands. It was a remarkable piece of morse-code accuracy at the best of times.
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