Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Jan Davidsz de Heem’s four paintings of sumptuous food and luxury objects were produced as series
A quartet of influential still lifes from the Dutch artist Jan Davidsz de Heem will go on display together for the first time since the 17th century at the Fitzwilliam Museum in Cambridge.
The four paintings were produced as part of a series by De Heem, who is considered to be a master of pronkstilleven – a style of ornate still life painting – during the Dutch golden age, depicting displays of sumptuous food and luxurious objects.
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