Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
A new and high-stakes escape route has been revealed, through the Indonesian archipelago to a smuggler’s boat
Paul, an Indonesian fisherman, says he was working as a rideshare driver in the dusty streets of Kupang in West Timor when he came across half a dozen Chinese men on the side of the road. They were wet up to their waist, carrying a backpack each, and spoke no Indonesian.
“They had walked from the beach, from the mangrove forest to the main road. They said they had difficulty with their boat engine,” Paul recalls. They asked for directions to a nearby hotel … and went on their way. Paul, a former people smuggler from Rote Island, called the police. “I used to bring people like this.”
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