Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Studying medicine is not an identity – and self-care should be considered a matter of medical ethics rather than an indulgence
After four long years of study, I wrapped up a medical degree this year. It’s been an adventure, and the downturn in activity post-exams has made me pensive. Way back in orientation week, an enthusiastic clinician noted that they still consider their time at medical school to be some of the best years of their life.
Reflecting on my own experience, I’ve begun to wonder whether that person needs to get out more.
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