Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
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Saquon Barkley – who else? – reeled off an electrifying 60-yard touchdown run the first time he touched the football on Sunday, in the first game he had played in for a spot in the Super Bowl. His Philadelphia Eagles kept up the audacious charge all game.
With splendid Washington rookie quarterback Jayden Daniels, in a burgundy ski cap, watching from the bench for much of the afternoon, the Eagles pummeled the Washington Commanders 55-23 to win the NFC championship at home for the second time in three years.
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