Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
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Ruben Amorim kept his focus firmly on the Europa League despite Manchester United losing their 16th Premier League match of the season in being beaten 4-3 by Brentford.
“I think it’s stressful to lose games – when we’re fighting for a title it’s not stressful,” Amorim said in reference to United’s midweek need to defend their 3-0 lead against Athletic Club to reach the Europa League final. He made eight changes here, for the third youngest Premier League starting XI on record.
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