Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
New ecocide bill in Scottish parliament aims to criminalise environmental destruction in line with EU directive
Company directors who cause severe or reckless damage to nature could face jail terms or hefty fines under a bill that aims to criminalise environmental destruction in Scotland.
The proposed law, which would be the first of its kind in the UK, is designed to put a class of environment offences known as ecocide on a similar legal footing to other grave crimes such as murder.
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