Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Use of xenon gas and hypoxic tents before recent expeditions has triggered alarm in Nepal, where guides fear it could encourage inexperienced climbers
There is nothing unusual about records being broken on Mount Everest. But last week, two sets of climbers turned heads with ascents that many had never thought possible: they went straight up from sea level to the world’s highest summit in less than a week.
On Wednesday, a team of four UK climbers, all ex-special forces soldiers, summited Everest having landed from London just over four days earlier. The following day, US-Ukrainian climber Andrew Ushakov said he had gone from New York to the top of Everest in under four days.
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