Wyndham’s theatre, London Grant brings shock-haired vigour as a vain novelist forced to welcome his boho children’s surprise guests in comedy of clipped social embarrassment Hay Fever, now one of Noël Coward’s best-known and most-performed works, hasn’t always been a smash hit. British critics who found its West End debut in 1925 amusing enough nevertheless noted its lack of plot, and the first Broadway production was a flop. A critic for Vogue called it “funny in places”, which sounds like the kind of stinging putdown you’d expect from the playwright’s own hand. A century of performances have proved the play’s lasting power, but its comic effect has always lain less in the words as written than their delivery – it is, after all, about a family that is “artificial to the point of lunacy”. At their centre is diva Judith Bliss, who has retired from the stage to take up the role of country hostess. When she, her husband and their self-consciously bohemian childre...
Nicknamed ‘Moana’, Charlene Erasito is the only female Pacific Islander on the expedition to document unexplored parts of the ocean
On the island of Rotuma in Fiji, Christmas is a time of joy, a celebration bursting with song, dance and laughter. Charlene Erasito remembers watching the festivities there when she was a child, captivated as people paraded through the village for “fara,” a local Christmas celebration.
Erasito never imagined that decades later, she would return to the same shores, no longer as a spectator but as a scientist. Erasito, now 30 years old, is the only female Pacific Islander aboard an ambitious expedition seeking to document unexplored ocean ecosystems in Fijian waters.
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