Performer is as good as ever but her actor character is thinly conceived in a fundamentally implausible depiction of how to grapple with alcoholism It’s always a pleasure to see that funny, smart performer Adèle Exarchopoulos in Cannes – after all, she made Cannes history by being jointly awarded the Palme d’Or for the 2013 film Blue Is the Warmest Colour , sharing the big prize itself with the director Abdellatif Kechiche and her co-star Léa Seydoux. Exarchopoulos has her moments in this film from Jeanne Herry, in which she plays an actor struggling with a drinking problem. The scenes in which we see her up on stage, boisterously performing in a touring theatre for schoolkids, are genuinely great. But really this is a very glib and unsatisfying drama, whose essential naivety becomes apparent when the lead character is forced to confront the crisis in her life. Exarchopoulos plays a young actor called Garance; she adores Arletty’s character of the same name in Marcel Carné’s movie clas...
When it comes to the back end of May and West Ham reflect on the season that was, there is every chance that this soggy Saturday will go down as a missed opportunity that proved decisive in their survival plight.
Victory here would have raised the possibility of Nuno Espírito Santo’s side ending the weekend out of the relegation zone for the first time since early December. In keeping with those over recent weeks, much of the performance was befitting of another three points. But, thanks to a couple of smart Djordje Petrovic saves and some profligacy in front of goal, the hosts had to make do with a draw – an expected goals (xG) total of 2.87 from 20 shots yielding a blank in the only column that matters.
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