Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating. “Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.” Continue reading... from The Guardian https://ift.tt/jXEyKTC via IFTTT
Energy crisis unfolding in Middle East has added political urgency, and more funding, to transform the solar industry in particular
In Guyang-ri, a farming village of 70 households about 90 minutes south-east of Seoul, residents gather for free communal lunches six days a week. The meals are funded by the village’s one-megawatt solar installation, which generates roughly 10m won ($6,800) in net profit each month.
“Residents eat lunch together every day, so we see each other’s faces, talk together,” says Jeon Joo-young, the village chief. “Bonds and solidarity between residents become much stronger. Life becomes more enjoyable.”
Continue reading...from The Guardian https://ift.tt/KfVYsin
via IFTTT
Comments
Post a Comment