Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating. “Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.” Continue reading... from The Guardian https://ift.tt/jXEyKTC via IFTTT
Growing numbers in the capital Honiara are playing the street card game Pass for a chance of a big payout, while risking big losses
As the school day ends in Honiara, *Irene, a 43-year-old teacher in a floral dress with a yellow daisy in her bun, steps on to a minibus.
After 10 minutes, Irene gets off the bus, walks down an alley, and enters a damp, smoky shelter. Plastic tables fill the space and playing cards are scattered on the floor. Irene has stopped by a hidden gambling table in a western suburb of Honiara to play Pass, a street card game gaining popularity in the Solomon Islands capital.
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