Director Paloma Schneideman explores issues of consent and queerness in coming-of-age film set in New Zealand In Big Girls Don’t Cry, the New Zealand coming-of-age film quietly devastating film festivals, there is a scene on a moonlit beach. It features the main character, Sid, played by Ani Palmer, and one of the cool older city boys who has come to the small, golden-sand town of Ōmaha for the summer. It is a deeply relatable, deeply uncomfortable watch; reliving the teenage negotiation – or not – of consent feels unsettling and validating. “Yeah, an 18-year-old at the screening last night said, ‘I feel so seen and exposed,” director and writer Paloma Schneideman, 34, says. “I was like, whoa, that’s quite an astute way to think about it. One is cathartic and healing, and the other is quite confronting.” Continue reading... from The Guardian https://ift.tt/jXEyKTC via IFTTT
London gallery to undergo biggest transformation in its 200-year history, with Kengo Kuma’s design called ‘exemplary’
The National Gallery has announced that its largest and most significant transformation in its 200-year history will be designed by the Japanese architect behind Tokyo’s Olympic stadium.
The new wing will be designed by Kengo Kuma as part of Project Domani, the gallery’s expansion into art from the 20th and 21st centuries. Its completion will make the National Gallery the only museum in the world that exclusively displays paintings where visitors will be able to view the entire history of painting in the western tradition.
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